Traditional Process of Syahi -Begar (Alizarin) Printing
1. Purchase of kora/unbleached fabric
2. Scouring (Cleaning of fabrics locally known as
“HariTarana” and soak for 24 hours)
3. Yellow dying in Harda(fruit of myrobalan plant) solutionto make fabric off-white. (Prepare
fabric for printing locally called “PeelaKarna”
or HardaRangai)
4. Printing (Block printed with alum and iron rust mixed with tamarind seed powder paste which is locally called “Chapai”)
5. Drying of printed
fabric locally called “Sukhai”
6. Washing to remove the excess color locally
called “Khulai” or "Vichalai"
7. Dyeing or fixing of colors after washing,
locally known as “GhanRangai”. In this process printed fabric is dyed with synthetic alizarin to get red color in place of alum printing and black color get fixed. Previously madder roots or al (morinda tinctoria) roots were used in dyeing.
8. Bleaching of fabric locally known as "Tapai". Previously it was done near river by pouring water on the fabric under sunlight but now a days ready made bleaching powder is used to remove the stains on the dyed fabric.
9. Fabric ready. If required it is again dyed with different synthetic dyes or natural dyes to get different color backgrounds.
Difference between Bagh & Bagru Print
Whenever we think of red and black block printing people think about either Bagh or Bagru print but unable to differentiate in between
the two. Most of the times craft lovers even consider both are same but in
actual both are different and having its own specialty, tradition and beauty. It is very important to
keep the differentiation in mind to keep the sanctity of craft tradition.
Apart from similar red and black printing there are few
similarities and many simple and technical differences in craft approach,
community and motif. Before sharing differences there are few similarities in
between two craft are:
Similarities in Bagh & Bagru
Print
Printing
style
|
Both are alizarin
block printing technique (Combination of red & black printing).
|
GI
|
Both the
techniques protected under Geographical Indication act.
|
Process
|
Almost similar
process of washing, printing and dyeing.
|
These are the similarities in between Bagh and Bagru print
then what are differences?
Differences in between Bagh print and
Bagru print
Points of
difference
|
Bagh
print
|
Bagru
print
|
Traditional
Motif/Pattern
|
Buta and jaal
pattern
|
Very small buti
pattern
|
State/Location
|
Madhya Pradesh
|
Rajasthan
|
Printing
colors (Traditional)
|
Red, black, Further
developed 2 more colors shades by printing black on white background i.e. Ochre
& Golden yellow
|
Red & black.
Now a days pigment colors also used in printing.
|
Background
|
Generally bleached
white background after printing and dyeing. Sometimes over dye with synthetic
dyes.
|
Off white or cream
background.
|
Community
|
Muslim Khatri
|
Hindu Namdev
Chippa
|
Washing
|
All the washing
done in flowing river
|
Washing done in pond
|
Red color
|
Vibrant red maroon color
comes out with alizarin due to rich copper content in the river.
|
Orangish red shade is
the identity of Bagru.
|
Present Scenario
Today there is no difference of motif and pattern left due to continuous interaction between the two places. Same block makers are making wooden blocks for the printers of both places. But both the traditions are protected by geographical indication need to be identified and marketed in their respective names.
Whatever printed in Bagh following the traditional process known as Bagh print and whatever printed in Bagru following the traditional process known as Bagru print.
Peela karna (Myrobalan dyeing process) in Bagh Village
Black Kachuka (Ferrous sulphate +jaggery mixed with tamarind seed paste)
Red Kachuka (Alum mixed with Tamarind seed powder paste)
Vichalai process in Bagh (Post printing washing)
Usman Khati (Bagh Print)
Traditional Bagh Print Saree
Traditional Small Buti (Bagru Print)
A printer in Bagru
Traditional Pharad Print 1st printing is done
Bagru Print Saree